Romantic Comedy
Three standalone romantic comedies.
Nobody has ever agreed on which one is first.
Kindle Unlimited · open door · every book ends with its couple together
No. 1 · Second Best Room
She can win any room. He is the first man who makes her risk the silence.
She serves. Everybody hits it back. He does not.
So Roz starts a feud. It is about a speaker hanging fifteen degrees off the wall, it runs all fall, and it works because he refuses to be in it.
No. 2 · Second Best Room
She knows how a man's story ends before he does and gets him there half an hour early.
Danica Kovacic, who everyone calls Dan, runs Sable's, a narrow Logan Square bar with a bad step and a regular for every stool.
Then Hal, the beer-route driver, goes down that step on the first hard frost, flat on his back on her boards, hands still in his pockets, and asks her whether that was funny.
No. 3 · Second Best Room
A three-piece band asked for a fourth microphone. Sunny Basra gave the drummer two, because in forty minutes that man was going to be up there holding a microphone and thinking, if only I had another microphone.
There is one way this ends badly and they are both extremely good at it. Sunny can turn any truth into a story, and Georgia can turn any weakness into a winning line.
Three couples, one block, any order.
Delia Frankwell writes contemporary romance where the comedy is load-bearing. Her first three books follow the crew and the regulars of one music room and the bar a block and a half down from it. Nobody in them says the important thing on the first try. The next book starts a new set on the same block, at the will call window.